GodGeras expertly captures the dread of Mondays, articulating a mix of resignation and hope, as if performing a tragicomedic play about the futility of existence on a Monday morning.

Whether it’s a car ride with family or the struggle of returning to work after a break, GodGeras paints relatable scenarios that feel like a scene from a sitcom—if the sitcom was on a shoestring budget.

With lines like comparing post-holiday work dread to tightening the screws on Boeing doors, GodGeras turns self-doubt into a comedic art form, reminding us all to laugh at our overworked, underappreciated selves.