Nacho argues the woke debates are as old as the hills, proving that complaining about the word 'woke' is indeed the new 'I don't like diversity in my movies'.

From Netanyahu to nationalism, Nacho's tweets often read like a dramatic play unfolding in front of a baffled audience, where the critics are equally confused and slightly horrified.

His reflections on cities are reminiscent of an art critic watching a Picasso get vandalized—simultaneously horrified and compelled to comment.