Anna robustly tackles complex issues like abortion and opportunism in social services with the finesse of a cool professor who’s just a little too relatable.

Navigating the spectrum of gender with the grace of a bisexual ballet dancer, Anna eloquently expresses the duality and fluidity of identity.

With stories like her brother’s 'head of the moon' nickname, Anna delivers relatable laughs calibrated so perfectly they could cure mundane days.

Anna’s love-hate relationship with books is a masterclass in being deeply invested in art while simultaneously ready to roast it to bits.

Anna’s posts on everyday social absurdities read like a surrealist novel—where logic takes a vacation and absurd brilliance reigns.